Sometimes the tetrachotomy results from the
combination of two dichotomies, like the Aristotelian vision of the 4
elements:
| Hot | Cold | |
| Dry | FIRE | EARTH |
| Wet | AIR | WATER |
Other times, a tetrachotomy originates from two successive dichotomies,
like is the case for the one appearing in the main page.
Very often these kind of tetrachotomies can be easily traced back to a single
dichotomy. In that example, most can agree on the artificiality of the
distinction between Love and Friendship and of the one between
Art & Science (i.e. they'll agree that Love=Friendship and Science=Art).
And, of course, there are tetrachotomies in their own right, coming from
no dichotomy at all.
E.g. the division of the year in four seasons would be very artificially
and subjectively grouped two-by-two into a dichotomy
(first part of year|second part of year? colder|warmer? happy|sad?).
The human mind seems very much oriented towards dichotomies, towards
dividing the world in black & white, dead & alive, sky & earth, good &
bad. The absence or presence of a property often leads the separating scalpel.
Alternatives to this view are possible (and encouraged).
Tri- Tetra- Penta- (and more) divisions.
Or no division at all.
Zen philosophy is one of the masterpieces
in refuting and refusing dichotomies, expecially subject-object ones.
The yin and the yang (female|male, black|white principles) melt together
in one.
The FiliusMortis symbol (at the bottom of the page) is composed of four parts
(they are in reality just two, as can be easily shown when the symbol
is folded around a cylinder to unite the two edges) that all meet in the center,
melting in one.
MU (the famous "third way") is another way out of the dichotomy:
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